When Skye Gyngell stepped off the plane in Colombo, she didn’t bring a single recipe book—just an open palate and a quiet curiosity. The British chef, once at the helm of Spring at Somerset House and earlier at Petersham Nurseries, had spent years crafting delicate, herb-forward dishes in London’s most celebrated kitchens. But what drew her to Sri Lanka? The heat. Not the humidity, not the sun—but the kind of heat that lingers on the tongue, builds slowly, and doesn’t beg for mercy. Her journey, documented in The Independent’s feature "If you can't stand the heat: Skye Gyngell visits Sri Lanka to check out the locals' fiery curries," wasn’t about chasing spice for shock value. It was about understanding balance.
Back in London, her own Skye Gyngell lobster curry from her 2010 cookbook A Year in My Kitchen had become something of a cult classic. But the version people were copying—on blogs like Chilli and Mint—wasn’t the original. It was a monkfish adaptation, born from a home cook’s desire to make it more accessible. They swapped lobster for 850g of monkfish, cut into 2-inch chunks. Reduced sugar from a full tablespoon to half. Dropped the toasted coconut flakes. Used tamarind water instead of soaking whole pods for 20 minutes. It was a humble act of rebellion—and it worked.
Gyngell’s dishes never shouted. They whispered—then lingered. That’s why the monkfish curry adaptation resonated so deeply. It wasn’t just a substitution; it was an interpretation. The original recipe called for tamarind pods soaked in hot water for exactly 20 minutes. The blogger used pre-made tamarind water. A small change. But it altered the texture, the acidity, the soul of the dish. Gyngell didn’t mind. In fact, she’d later tell friends: "That’s how food survives. It gets passed around. It changes. It becomes someone else’s memory."
Her influence, subtle but real, helped shift London’s culinary conversation. Before Hoppers opened, Sri Lankan food was a footnote. Now, it’s a destination. And Gyngell’s version of the curry—whether made with lobster, monkfish, or even chicken—became a bridge. A way for people who’d never left the UK to taste something real, something rooted.
Meanwhile, the monkfish curry recipe from Chilli and Mint still gets 300+ hits a month. The original lobster version? It’s in the A Year in My Kitchen index—page 142. Both are alive. Both are changing. And both trace back to one chef’s decision to get on a plane, sit on a floor in a village kitchen, and just... taste.
Gyngell’s time in Sri Lanka shifted her focus from ingredient purity to flavor harmony. She began incorporating more layered heat—using chilies not just for spice, but as part of a flavor architecture that included sour, sweet, and umami. This is evident in her later dishes, where even mild curries carry a subtle, building warmth that lingers, mirroring Sri Lankan techniques.
The monkfish version, popularized by the Chilli and Mint blog in 2011, made Gyngell’s luxury lobster recipe accessible to home cooks. By swapping ingredients—using tamarind water instead of soaked pods, reducing sugar, omitting coconut—it became a democratic version of fine dining. It proved that authenticity isn’t about exact replication, but about respecting intent.
Sri Lankan curries use more fresh chilies and less dried spice powder than most Indian versions. They rely heavily on coconut milk, tamarind, and fish sauce for depth, creating a brighter, tangier profile. Indian curries often use garam masala and yogurt-based bases, while Sri Lankan dishes are typically oilier, with a more pronounced heat that builds gradually rather than hitting immediately.
Hoppers in Soho remains one of London’s most acclaimed Sri Lankan restaurants, praised for its kottu roti and short rib curry. Other spots like Colombo Kitchen in Peckham and Little Lanka in Croydon offer more regional dishes, like pol sambol and jaffna crab curry. All three trace their inspiration, directly or indirectly, to the growing interest sparked by chefs like Gyngell and early adopters in the 2010s.
No. Gyngell left Spring at Somerset House in 2013 to focus on writing and personal projects. The restaurant closed in 2017. But her legacy endures: the clean, seasonal aesthetic she championed still influences chefs across London, and her cookbook remains a touchstone for those exploring global flavors with restraint and intention.